Kyla Guimaraes
Cyanotypes
We should make cyanotypes together sometime soon. Let me know when. I’ve heard it’s a good thing to do when you get lost in the blue murk of living. Last week there was an electrical fire at your house. I arrived to find orange flames lapping out of the open window. Like a dog. A wave at the shore. There is water everywhere I turn. My life keeps painting itself blue. When I take the laundry out of the washer and lay your shirt out to dry, the excess water I wring out is blue. A cyanotype is supposed to only know itself as blue. But a wet cyanotype blurs differently—opens itself to green, beige, yellow. The murk. All of the murk, everything awake underneath the sun. I love you. That’s all I had to say. Let’s make cyanotypes together. Let’s make the kind that turns blue into anything but itself, lapping at everything we knew, like that electrical fire. Like a dog standing outside in a rainstorm, all alone, and instead of beckoning it back into the house, we step outside to greet it.
Jenga
Sometimes I build things up just to pull them apart, watch them fall. I get lost on purpose, on winding walks that start in midafternoon and continue through morning. Entering buildings at whim: art galleries, the CVS by your place, that coffee shop. I tell you things I don’t want you to know. Follow my mouth right into the mousetraps I left for myself to find. One night, we sit in your kitchen and play games of Jenga. Or we try to. Look, I built the tower, I say, and then knock it over on purpose. I can’t help it. I tell you I’ll pull it back together, like I always do, that I’m familiar with undoing the break. But the Jenga pieces have scattered far across the floor: under the table, through the gaps of the floor vent covers, out the open window and picked up by a pigeon that just happens to be passing by. So maybe it can’t be undone. Recently I’ve been doing my best to knock over everything, even the things I love most. Especially the things I love most—myself included. You reach under the table to gather the remaining pieces, build an imperfect tower from what’s left. Look, you say. I can’t, I say. I can’t love incompletion. Just try, you say. And it’s you asking. So I try.
Kyla Guimaraes is a writer and student from New York City. Her work can be found in SUNHOUSE Literary, The Penn Review, HAD, Dishsoap Quarterly and elsewhere. She is an alum of the Iowa Young Writers' Studio, a poetry editor at Eucalyptus Lit, and a poetry reader at Okay Donkey. In addition to writing, Kyla likes puns and standing outside in the rain.
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