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Gone Lawn 67
hunter's moon, 2026
(October 25)

Featured artwork,
Longing, by Chris Jeanguenat

new works

Emma Kent-Abate

last dinner in the diving bell


I.

In the darkness, to prove her humanity, she recites the eucharistic blessings: tantum ergo sacramentum. It is the only Latin she knows, a language long buried now her only connection to the world above. The words echo off the smooth walls and drip with condensation into the water below. Præstet fides supplementum sensuum defectui. In her mind, the ripples become waves.

II.

The cross-section of a nineteenth century diving bell
would be familiar to those accustomed to the anatomy of something man made. Shaped like the instrument it takes its name from, it is large enough to seat two or three grown men comfortably, though this one does not. Filled with a pocket of pressurized air, the bottom of the bell is open to the relentless maw of the ocean, allowing passengers to look freely into the waters beneath. They sit precariously on a wooden bench that encircles the entire vessel, which is lowered from a boat via a long cable, a precarious tether fastening sea to sky. A thin hose running through the cord provides fresh air to the interior of the bell; a valve sitting just above the passengers’ heads releases their stale breath into the dark depths. Attached below are three weights, pressed against the salt-logged earth, solitary warriors against the bell’s buoyancy, temporary anchors.

III.

The items brought aboard the diving bell (for what may be a maiden and final voyage):
  • One bible, now waterlogged
  • A large metal crate, intended to hold that which is collected from the sandy bed of the sea
  • One brick of hardtack, exposed to the corrosive elements of the pressurized interior
  • A quarter of a pound of salted pork, wrapped in wax
  • A cup of dried peas, canned
  • A half-gallon of drinking water in a sealed glass jar
  • No plates nor cups nor silverware, as table manners are not necessary this far beneath the water’s surface, and you can eat with your hands, silly girl
  • One young woman, found selling matchbooks on Long Wharf to anybody who paid her a second glance, as she was already quite familiar with hopeless spaces
  • The knowledge that if God never intended for humans to breathe beneath the water, it would be blasphemous for humanity to find their own way to do so
  • One serpent that snuck through the gaps in the riveting, slipping in with the inevitable flood, only seconds before the vessel implodes.


IV.

The bestiary’s interlude
The sea lamprey, known by some or few as the vampire fish, is in fact a fish and not a snake. Common to the seas and inland waters of northern North America, it is considered a pest, a parasite, feeding off the inhabitants of the places it was never meant to take residence. Its mouth is filled with row upon row of needle-like teeth; one could easily mistake it for a massive leech. A veteran of disrupting a balanced ecosystem, it nevertheless finds itself surprised to occupy a space enclosed by the most invasive species of them all. It is unaware of the biblical implications of a single serpent meeting the eyes of one precariously placed girl.

V.

In this situation, it is the matchgirl who considers breaking bread — albeit hardtack — with the serpent. The water is now rushing in at a relentless rate, and it would be devastating to eat one’s last meal alone. As the salty foam encroaches the bench, she scrambles to find purchase on any surface within the slick insides of the bell. She is unaware that this creature’s diet does not consist of stale biscuits, but solely blood.
She is not scared when she sees it, instead more afraid of the water around her throat. “It is lovely to meet you,” she says, when she means that it is good company to not die alone.
“Humans are beasts upon the sea, not within it,” reflects the serpent. “What a curious condition we have found ourselves in, in which we both coexist, side-by-side.”
“I am afraid I am not meant to be here,” says the girl. “I was sent to collect lost cargo. Gold or iron, I cannot remember, but I was told to scavenge for anything valuable.”
"Something more valuable than your life,” says the serpent. “What a foolish endeavor they sent you on. This is no place for a being with lungs.” Lungs are fragile things, the serpent knows, filled with air and blood. As the serpent watches the thinning atmosphere above rupture with the steady flow of water, it understands that this is no place for a fish, either. Curse the being who designed this heinous, artificial purgatory, destined to be destroyed beneath the pressure of the world.
The girl says to the serpent, “I don’t wish to find anything. Why is discovery always regarded as a joyous thing, the pinnacle of success, pride for the human experience? Is it not the same as becoming aware of a vast unknown? That one small soul is mere nothing compared to the weight of the universe?”
And the serpent says, “you talk too much for a being on the brink of death.”
As the water overtakes her, she comes to understand that she is neither the patriarch upon the ark nor the prophet in the belly of the whale, but something the gospel never accounted for.


Emma Kent-Abate currently lives in Boston, where she studies shipwrecks and longs for the woods. Her short fiction has been featured in Beneath the Garden Magazine, Necksnap Magazine and Folklore Review. Her debut chapbook, Curators of Absence, was released in July 2025 by Flooded Pine Press. Website=https://emmakentabate.carrd.co/.