| Alicia Elkort
 
 
 
 The Sparrow
 
 I emerge from my house, an ocean of breeze in every tree, sun at every  corner,  fledglings  flocking  the  garden  each  the  size  of  a thumb.  Gray  &  tiny,  one  becomes  disoriented  as  I  walk  past. I speak  to  her  in  a  soft  tone  but  she  turns  herself  on  her  back desperate to right tiny talons & downy feathers. She jumps down stair after stair towards the garage until she lands at the bottom. I gentle  my  voice  as  she  chirps  to  the  other  sparrows  nesting  in roof shingles. I leave hoping her mama will help when I am gone, but in a few hours when I return, she is still at the bottom step, alone & I think orphan like me in the dark corner what will I do to  carry  God  into  these  stairs?  I  knock  on  my  neighbor's  door, my   neighbor   who   once   drove   twenty   miles   to   bring   two hummingbird chicks to sanctuary after their mother didn't return to  nest.  My  neighbor  coaxes  the  baby  sparrow  inside  a  box,  her halo tender & kind while the mama flies above our heads to keep us away. We carry the box to the front garden of recently planted geraniums & purple sedum & blue dymondium grasses—beauty we've  ordained  to  contain  sorrow.    We  leave  the  sparrow  chick to a flurry of feathers & chirrup & trill.  She remains planted, but eventually  (and  this  is  when  I  finally  let  the  breath  out  of  my lungs)  she  flies  away.  A  dozen  sparrows  fly  to  the  trees  above me—cacophony   of   chirp   &   breeze   at   the   neck, branches dancing  against  blossom.  The  sparrows  are  saying  thank  you, their  chorus  an  amen  to  my  prayer.  They  know  as  I  know  in every breath I could not possibly bear
 one more loss.
 
 
 
 You Don't Have to Be Good
 
 What  I'm  asking  is  when  will  they  stop  murdering  little girls  decomposing  bodies  under  scrub  brush,  teddy  bears yards  away,  blood  rope  burns  necks  twisted  I'm  with  my niece  surrounded  by  spruce  &  black  oak,  a  sky  as  blue  as lapis, the patter of unseen deer and mice a soft trill through the  forest.  Kate  has  planted  herself  across  the  yellow  line 
on  a  private  road,  the  ascent  too  much  for  her  defiant bones, arms  crossed,  three-year-old  legs  splayed,  body secured  to  pavement. I  won't  move  unless  you  carry  me. Her father had promised to meet us but he hasn't shown so I try  every  trick whoever makes it to the top first wins but nothing's  working.  Unable  to  lift  or  carry her, in my fear and  desperation  to  keep  her  safe,  imagining  a  car  around the  bend  splattering  the  last  bits  of  her  across  asphalt,  I throw out the only card I have left—I know you are such a good girl you'll get up right now and walk with me. Why did  I  ever  think  that  would  work  on  my  niece,  all  vinegar &  obstinate blood,  her  determination  a  sport  of  Olympic proportions  &  when  her  response  comes  through  lungs  at full  volume,  steady  and  sure — I. Am. Not. A. Good. Girl — face  red,  spittle  around lips, I  know  the  answer  to  my question. I  can  feel  the  souls  of  all  the  murdered  girls converged  &  dancing  their  skinned  knees  purple  tennis shoes  red  ribbons  whooshing.  I  know  this  moment  is transformational that the soft chemistry of my DNA has been  altered  that  Kate  is  the  unknown  X  the  equation solved.  This  child,  the  culmination  of  genetic strands reaching  back  to  the beginning  of  time  has  given me permission  to  express  the  full texture  of  my  being.  I  am certain  there  are  others like her blooming all over the country,  the  season  is  now.  I  move  down  the  road  to  the bend,  breathe  in  the  scent  of  sage  &  wild  currant  on  the breeze,  alert  to  flag  any  vehicle,  letting  Kate  decide  when she's  ready  &  when  she's  willing  to  head  up  the  road.
 
 
 
 Alicia Elkort's poetry has been published in AGNI, Arsenic Lobster, Black Lawrence Press, Georgia Review, Heron Tree, The Hunger Journal, Menacing Hedge, Rogue Agent, Stirring: A Literary Collection, Tinderbox Poetry Journal as well as many others. Her poems have been nominated for the Orisons Anthology (2016), the Pushcart (2017), and A Best of the Net (2018). Alicia has recently become a reader for Tinderbox Poetry Journal, and in addition, will go to great lengths for a great cup of black tea and a cool breeze.
 
 
 
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