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Gone Lawn 62
cold moon, 2025
(December)

Featured artwork, Dormant, by Andrea Damic

new works

Alicia Potee


Holy Saturday

I hope you burn in Hell.

The wish fell from my mother’s phone—the fifth time in so many days—a white hot knife from her brother’s wife, his sullen approval dripping from its edge. She played the message to anyone who’d listen. It was the day before Easter. The hospital, catacomb-quiet. Sun peeled from the windowed walls onto her blinking bed, its blue repose disfigured by tubes. Her fingers drummed the rolling tray—still staged with breakfast she’d begged me to eat, a Styrofoam cup full of melting ice—then splayed across her smooth, pale scalp. Burning, burning, roasting, she chanted, eyelids trussed tight, lashes stitched in two slits. I think I’d rather roast. That sounds like it would be more pleasant. Her feet twitched, socks licked by forked tongues, flickers in eyes now wide as porcelain plates, a smudge of ash at each center. Look at the clouds, I said. A fish. A lamb. The pristine sky, a rotating mobile. Her face turned to mine, pupils like pins. Is that the devil?                           Drip.            Drip.            Drip.                             No, I lied.

There’s no such thing.



Returns

I love you most in the morning. Not drunk under moonbeams, heavy as eyelids. Not from behind your seatbelt, tongue like funeral satin against my teeth. Not at the bottom of your spiral stairs, where bed waits for body the way a clay pot longs for dirt. I love you most when sun peels night from your face like a bandage. When dawn unwraps your torso, teases your awakening, reveals your newness like a secret. No, a gift. In the morning, we age in seconds. We die each night we go to sleep and rise as newborn babies, wet with our befores. A memory of safety slips to the floor, lies red and ripe for mopping. What I mean to say is that purple cries are a sign of life. The light is supposed to sting. Better not to count the days.



Alicia Potee is a 2002 graduate of St. John’s College in Annapolis and a current MFA candidate at the University of Baltimore. Her poems have appeared in trampset, BRUISER, Chestnut Review, Comstock Review, Hawaii-Pacific Review, Little Patuxent Review and Baltimore Review among other places. She lives in Towson, MD with her tiny zoo of children and pets.